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Never Say Never Again is a 1983 spy film based on the James Bond novel Thunderball, which was previously adapted in 1965 under that name. Unlike the majority of Bond films, Never Say Never Again was not produced by Eon Productions, but by an independent production company, one of whose members was Kevin McClory, one of the original writers of the Thunderball storyline with Ian Fleming and Jack Whittingham. McClory retained the filming rights of the novel following a long legal battle dating from the 1960s.

The film was directed by Irvin Kershner and, like Thunderball, stars Sean Connery as British Secret Service agent James Bond, 007, marking his return to the role 12 years after Diamonds Are Forever. The film's title references how Connery said to the press in 1971 that he would "never again" play James Bond. As Connery was 52 at the time of filming, the storyline features an ageing Bond, who is brought back into action to investigate the theft of two nuclear weapons by SPECTRE. Filming locations included France, Spain, the Bahamas and Elstree Studios in England.

Never Say Never Again was released by Warner Bros. in the autumn of 1983. It opened to positive critic reviews and was a commercial success, grossing $160 million at the box office, although this was less overall than the Eon-produced Bond film released in June of the same year, Octopussy. In 1997 the distribution rights of Never Say Never Again were purchased by Metro-Goldwyn-Mayer, which distributes Eon's Bond films, and the company has handled subsequent home video releases of the film.

Never Say Never Again had its origins in the early 1960s following the controversy over the 1961 Thunderball novel. Fleming, along with independent producer Kevin McClory and scriptwriter Jack Whittingham had worked together on a script for a potential Bond film, to be called Longitude 78 West, which was subsequently abandoned because of the costs involved. Fleming, "always reluctant to let a good idea lie idle", turned this into the novel Thunderball which did not credit either McClory or Whittingham; McClory then took Fleming to the High Court in London for breach of copyright and the matter was settled in 1963. After Eon Productions started producing the Bond films, they subsequently made a deal with McClory (pictured at right at the Dublin premiere of Thunderball), who would produce Thunderball, and then not make any further version of the novel for a period of ten years following the release of the Eon-produced version in 1965.

In the mid-1970s McClory again started working on a project to bring a Thunderball adaptation to production and, with the working title Warhead, he brought writer Len Deighton together with Sean Connery to work on a script. The script ran into difficulties after accusations from Eon Productions that the project had gone beyond copyright restrictions, which confined McClory to a film based on the Thunderball novel only, and once again the project was deferred.

Towards the end of the 1970s developments were reported on the project under the name James Bond of the Secret Service, but when producer Jack Schwartzman became involved and cleared a number of the legal issues that still surrounded the project he brought on board scriptwriter Lorenzo Semple Jr to work on the screenplay. Connery was unhappy with some aspects of the work and asked Tom Mankiewicz who had rewritten Diamonds are Forever to work on the script; however Mankiewicz declined as he felt he was under a moral obligation to Cubby Broccoli. Connery then hired British television writers Dick Clement and Ian La Frenais to undertake re-writes, although they went uncredited for their efforts because of a restriction by the Writers Guild of America.

The film underwent one final change in title: after Connery had finished filming Diamonds Are Forever he had pledged that he would "never" play Bond again. Connery's wife, Micheline, suggested the title Never Say Never Again, referring to her husband's vow and the producers acknowledged her contribution by listing on the end credits "Title "Never Say Never Again" by: Micheline Connery". A final attempt by Fleming's trustees to block the film was made in the High Courts in London in the spring of 1983, but these were thrown out by the court and Never Say Never Again was permitted to proceed.

When McClory had first planned the film in 1964 he held initial talks with Richard Burton for the part of Bond, although the project came to nothing because of the legal issues involved. When the Warhead project was launched in the late 1970s, a number of actors were mentioned in the trade press, including Orson Welles for the part of Blofeld, Trevor Howard to play M and Richard Attenborough as director.

In 1978 the working title James Bond of the Secret Service was being used and Connery was in the frame once again, potentially going head-to-head with the next Eon Bond film, Moonraker. By 1980, with legal issues again causing the project to flounder, Connery thought himself unlikely to play the role, as he stated in an interview in the Sunday Express "when I first worked on the script with Len I had no thought of actually being in the film". When producer Jack Schwartzman became involved, he asked Connery to play Bond: Connery agreed, asking (and getting) a fee of $3 million, a percentage of the profits, as well as casting and script approval. Subsequent to Connery reprising the role, the script has several references to Bond's advancing years – playing on Connery being 52 at the time of filming – and academic Jeremy Black has pointed out that there are other aspects of age and disillusionment in the film, such as the Shrubland's porter referring to Bond's car ("they don't make them like that any more"), the new M having no use for the 00 section and Q with his reduced budgets.

For the main villain in the film, Maximillian Largo, Connery suggested Klaus Maria Brandauer, the lead of the 1981 Academy Award-winning Hungarian film Mephisto. Through the same route came Max von Sydow (right) as Ernst Stavro Blofeld, although he still retained his Eon-originated white cat in the film. For the femme fatale, Director Irvin Kershner selected former model and Playboy cover girl Barbara Carrera to play Fatima Blush – the name coming from one of the early scripts of Thunderball. Carrera's performance as Fatima Blush earned her a Golden Globe Award nomination for Best Supporting Actress, which she lost to Cher for her role in Silkwood.

Micheline Connery, Sean's wife, had met up-and-coming actress Kim Basinger at a hotel in London and suggested her to Connery, which he agreed upon. For the role of Felix Leiter, Connery spoke with Bernie Casey, saying that as the Leiter role was never remembered by audiences, using a black Leiter may make him more memorable. Others cast included comedian Rowan Atkinson (pictured below with Connery), who would later parody Bond in his role of Johnny English.

Former Eon Productions' editor and director of On Her Majesty's Secret Service, Peter R. Hunt, was approached to direct the film but declined due to his previous work with Eon. Irvin Kershner, who had achieved success in 1980 with The Empire Strikes Back was then hired. A number of the crew from the 1981 film Raiders of the Lost Ark were also appointed, including first assistant director David Tomblin; director of photography Douglas Slocombe and production designers Philip Harrison and Stephen Grimes.




This film is famous for Sean Connery returning to the role he made famous, secret agent James Bond 007. After making Diamonds Are Forever, he stated "never again" when asked if he'd ever play the role again. It's a fun remake of Thunderball, though not nearly as great as that film, and a staple of 80's cinema. Directed by the late Irvin Kirschner, famous for The Empire Strikes Back.
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Filming for Never Say Never Again began on September 27th 1982 on the French Riviera for two months before moving to Nassau, the Bahamas in mid-November where filming took place at Clifton Pier, which was also one of the locations used in Thunderball. The Spanish city of Almería was also used as a location. Largo's Palmyran fortress was actually historic Fort Carré in Antibes. For Largo's ship, the Flying Saucer, the yacht Nabila, owned by Saudi billionaire, Adnan Khashoggi, was used. The boat, now owned by Prince Al-Waleed bin Talal, has subsequently been renamed the Kingdom 5KR. Principal photography finished at Elstree Studios where interior shots were filmed. Elstree also housed the Tears of Allah underwater cavern, which took three months to construct. Most of the filming was completed in the spring of 1983, although there was some additional shooting during the summer of 1983.

Production on the film was troubled with Connery taking on many of the production duties with assistant director David Tomblin. Director Irvin Kershner was critical of producer Jack Schwartzman, saying that whilst he was a good businessman "he didn't have the experience of a film producer". After the production ran out of money, Schwartzman had to fund further production out of his own pocket and later admitted he had underestimated the amount the film would cost to make.

Many of the elements of the Eon-produced Bond films were not present in Never Say Never Again for legal reasons and the film makes a few changes to the James Bond universe. MI6 is shown to be underfunded and understaffed, particularly with regards to Q-Branch, and the character Q is referred to by the name "Algernon", and is presumably a different individual than the Q in the official Bond films (whose name is Major Boothroyd). The film also appears to take place in an "alternate universe" in which none of the events of You Only Live Twice, On Her Majesty's Secret Service, Diamonds Are Forever and the opening sequence of For Your Eyes Only have occurred, since Blofeld is alive and apparently previously unknown to Bond and MI6. Despite sharing many basic similarities with Thunderball, the course of events throughout the film are different enough for it to be more than a direct remake, and the action clearly takes place at a much later date than Thunderball. The film is notable for depicting Felix Leiter, Bond's CIA colleague, as an African-American, something which would not occur in the "official" series until Casino Royale in 2006. The film also makes a major departure from official continuity by ending with Bond indicating his intention to retire from MI6 - while Bond had considered retirement in On Her Majesty's Secret Service, he is shown to be unsure of the decision and later chooses to stay with the service. In the scene where Bond states his intention to quit, Connery breaks the fourth wall by winking at the camera; while this is incorrectly considered by many as being unique to this film, George Lazenby was in fact the first Bond to break the fourth wall almost 15 years earlier when he told the audience, "This never happened to the other fellow" (referring to Connery, the man he had replaced as Bond).

Also not included in Never Say Never Again was the famous Bond gun barrel sequence. A screen full of 007 symbols appeared instead, and similarly there was no "James Bond Theme" to use, although no effort was made to supplement another tune. Never Say Never Again did not use a pre-credits sequence, which was filmed but not used; instead the film opens with the credits run over the top of the opening sequence of Bond on a training mission.

The music for Never Say Never Again was written by Michel Legrand, who composed a score similar to his work as a jazz pianist. The score has been criticised as "anachronistic and misjudged", "bizzarely intermittent" and "the most disappointing feature of the film". Legrand also wrote the main theme "Never Say Never Again", which featured lyrics by Alan and Marilyn Bergman, who had also worked with Legrand in the Academy Award winning song "The Windmills of Your Mind", and was performed by Lani Hall after Bonnie Tyler, who disliked the song, had reluctantly declined. Phyllis Hyman also recorded a potential theme song, written by Stephen Forsyth and Jim Ryan, but the song, an unsolicited submission, was passed over given Legrand's contractual obligations with the music.

Never Say Never Again premiered in New York on October 7th 1983, grossing $9.72 million on its first weekend, which was reported to be "the best opening record of any James Bond film" up to that point and surpassing Octopussy's $8.9 million from June that year. Worldwide, Never Say Never Again grossed $160 million in box office returns, which was a solid return on the budget of $36 million.

Warner Bros. released Never Say Never Again on VHS and Betamax in 1984, and on laserdisc in 1995. After Metro-Goldwyn-Mayer purchased the distribution rights in 1997, the company has released the film on both VHS, DVD and on Blu-ray.

Never Say Never Again was broadly welcomed and praised by the critics at the time: Ian Christie, writing in the Daily Express, said that Never Say Never Again was "one of the better Bonds", finding the film "superbly witty and entertaining, the dialogue is crisp and the fight scenes imaginative." Christie also thought that "Connery has lost none of his charm and, if anything, is more appealing than ever as the stylish resolute hero." David Robinson, writing in The Times also concentrated on Connery, saying that: "Connery is back, looking hardly a day older or thicker, and still outclassing every other exponent of the role, in the goodnatured throwaway with which he parries all the sex and violence on the way". For Robinson, the presence of Connery and Klaus Maria Brandauer as Maximillian Largo "very nearly make it all worthwhile." The reviewer for Time Out summed up Never Say Never Again saying "The action's good, the photography excellent, the sets decent; but the real clincher is the fact that Bond is once more played by a man with the right stuff."

Derek Malcolm in The Guardian showed himself to be a fan of Connery's Bond, saying the film contains "the best Bond in the business", but nevertheless did not find Never Say Never Again any more enjoyable than the recently released Octopussy (starring Roger Moore), or "that either of them came very near to matching Dr. No or From Russia with Love."

Janet Maslin, writing in The New York Times, was broadly praising of the film, saying she thought that Never Say Never Again "has noticeably more humor and character than the Bond films usually provide. It has a marvelous villain in Largo." Maslin also thought highly of Connery in the role, observing that "in Never Say Never Again, the formula is broadened to accommodate an older, seasoned man of much greater stature, and Mr. Connery expertly fills the bill." Writing in The Washington Post, Gary Arnold was fulsome in his praise, saying that Never Say Never Again is "one of the best James Bond adventure thrillers ever made".

The critic for The Globe and Mail, Jay Scott, also praised the film, saying that Never Say Never Again "may be the only instalment of the long-running series that has been helmed by a first-rate director". According to Scott, the director, with high quality support cast, resulted in the "classiest of all the Bonds". Roger Ebert gave the film 3½ out of 4 stars.

Because Never Say Never Again is not an Eon-produced film, it has not been included in a number of subsequent reviews. Norman Wilner of MSN said that 1967's Casino Royale and Never Say Never Again "exist outside the 'official' continuity, [and] are excluded from this list, just as they're absent from MGM's megabox. But take my word for it; they're both pretty awful". Of the more recent reviews, opinion on Never Say Never Again is mixed. IGN gave Never Say Never Again a score of 5 out of ten, claiming that the film "is more miss than hit". The review also thought that the film was "marred with too many clunky exposition scenes and not enough moments of Bond being Bond". James Berardinelli, in his review of Never Say Never Again, thinks the re-writing of the Thunderball story has led to a film which has "a hokey, jokey feel, [it] is possibly the worst-written Bond script of all". Berardinelli concludes that "it's a major disappointment that, having lured back the original 007, the film makers couldn't offer him something better than this drawn-out, hackneyed story."

In the 1990s, McClory announced plans to make another adaptation of the Thunderball story, Warhead 2000 AD, with Timothy Dalton in the lead role, but this was eventually scrapped. In 1997 the Sony Corporation acquired all or some of McClory's rights in an undisclosed deal, and subsequently announced that it intended to make a series of Bond films, as the company also held the rights to Casino Royale. This move prompted a round of litigation from MGM, which was settled in an out-of-court settlement in which Sony gave up all claims on Bond, although McClory still claimed he would proceed with another Bond film, and continued his case against MGM; on August 27th 2001 the court rejected McClory's suit. Though EON Productions worried about a "rival series" of Bond films it's doubtful remaking Thunderball every few years would sit well with the movie going public. McClory died in 2006.


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